Showing posts with label 2012 Charles & Charles Rosé. Show all posts
Showing posts with label 2012 Charles & Charles Rosé. Show all posts

Thursday, January 16, 2014

Quick Hits


Quick Hits in a true quick-hit manner.

1. Enough Said occupies a rare place in film, particularly of late. It shows all the natural sloppiness, resulting terribleness, and enduring hope that comes with...existing. And living with the history of being yourself for so long, a unique thing in an age where constantly reinventing yourself and TEDTalking your way to happiness seems to be the path to...something. Enough Said is genuine without ever shining a light on its attempt to portray that. I've always thought, in the discussion of older women not being able to land juicy roles in Hollywood, that looking to Juliette Binoche and Kristen Scott Thomas (who's done amazing work in a slew of smaller films) should be the template. Both have aged so damn gracefully as actors by taking roles that never shy away from being juicily complex and flawed as characters. James Gandolfini is very good here, and gets much of the press as this was his last film, but this is a star turn for Julia Louis-Dreyfus. She lets so much in and, as a result, gives so much.

Saturday, November 30, 2013

Thanksgiving Week


Happy food week.

And a lot of sitting.

Monday dinner of beef bourguignon, Tuscan kale salad with Grana Padano (New York Times recipe) and Pugliese bread, served with 2005 Chateau Fombrauge St.-Emilion ($40 - Binny's). We left most of the meat alone, preferring to dip and dunk with the bread, while loving this kale salad with its dark green depth and parmesan roundness. I don't know what I'm going to do with all the Bordeaux we own, because it's just not doing anything for me right now. Let's hope that changes. Here, this Fombrauge, a solid, value-driven Right Banker that's always satisfied, satisfied with this food as well, linking up, allowing to be itself, which is Good. Just felt perfunctory as an overall meal.


Tuesday lunch of grilled bocadillos (Pintxos cookbook) with La Quercia, manchego and kumatoes on Pugliese. Arugula salad on the side. Served with 2012 Charles & Charles Rosé Columbia Valley ($14 - Whole Foods), a syrah-forward blend. Best pairing of the week, as the sandwiches took the syrah to an earthy, balanced, Old World-ish place, but with the typical Washington freshy freshness. This was fantastic. Something about these grilled sandwiches... Trick seemed to be getting them more burned in parts than just grilled.

Friday, October 4, 2013

Lamb & Farro-Pomegranate-Fava Salad, Two Rosés, & A Chicago Restaurant

In our world, a couple of grains of cumin on a dish that lists cumin as a key ingredient isn't going to cut it. Two consecutive dishes in a 12-course tasting menu that come off creamy first, both containing parmesan, is weird, especially when it defines the lead-in to the proteins. Using filet, a cut defined more by its delicate and luxurious texture than punch of flavor, makes for a finish to the middle of the meal that was way too quiet. And a bit gray. Orchard fruits diced the same way in consecutive courses and a trail of preciousness on at least three courses led to a lot of sameness.

Two impressions stand out - sameness and lack of punch. We just passed the 10-year mark in Chicago. If you would have told me seven years ago that we'd be sick of the higher-end Chicago food scene, I'd have said, "You're cuckoo." We are. We're sick of the sameness; what has become the Chicago flavor, a flavor that comes off...timid. Not refined, technique-driven or local farm-showcased.

Timid.